DOI 10.31554/978-5-7925-0594-0-2020-147-151
ТӨРИЙН ШАГНАЛТ ЗОХИОЛЧ Д. НАМДАГИЙН “ШАРАЙ ГОЛЫН ГУРВАН ХААН” ЖҮЖИГ ДЭХ ГЭСЭРИЙН ДҮРИЙН ТУХАЙ
Пурэвсурэн Я.
Монгол Улсын Боловсролын Их Сургууль
Улаанбаатар, Монгол
yandii@msue.edu.mn
ON THE IMAGE OF GESER KHAN IN THE PLAY “THREE SHARAGOL KHAN” BY WRITER D. NAMDAG, LAUREATE OF THE STATE PRIZE
Purevsuren Ya.
Mongolian State University of Education
Ulaanbaatar, Mongolia
Any art is developed following people’s artistic thinking, ideology and internal nature. These are transmitted from previous generation to next generation by inheritance, succession and renewal. Clear expression of inheritance, succession and renewal is “Three kings of Sharai River” musical performance with five episodes by D. Namdag, state –prized writer of Mongolia. This drama was written on the fifth part as having captured state of three kings of Sharia River in “Geser” Story. “Geser” story was written by fiction form, whereas drama of Three kings of Sharai River was written by poetic form. The poems have lyric, melodic, artistic and nice writing with heroic and magnificent expression. The fifth part of “Geser” Story has 23 chapters, all chapters have independent and special action. Drama was tied along a line for the fifth part. The drama expressed Geser that he is smart and shrewd. The drama contributed in development of modern drama story of Mongolia.
